MM-500

MM-500

The Audeze MM-500 was developed in one of the world's most prestigious studios to deliver mixes that consistently capture the artist's intended emotions and sound designs with crystal clarity. The MM-500 offers all-day comfort with its slim and robust housing.

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€2,100.00
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The Audeze MM-500s offer studio-quality sound, representing the next level of performance in professional audio. Whether you've switched from our LCD-X or another brand, the Audeze MM-500 planar magnetic headphones will amaze you.


Elegance, comfort and durability

Featuring extra-soft premium leather ear cushions, an adjustable spring steel headband and custom aluminum construction, the MM-500 feels solid yet lightweight. Just like the flagship LCD-5 headphone series, the Audeze MM-500 is handcrafted in Southern California to provide years of reliable comfort and audiophile enjoyment in one package.


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  • Style: Over-ear, open-back
  • Transducer type: Planar Magnetic
  • Magnetic structure: Fluxor™ magnet array
  • Phase management: Fazor™
  • Magnet type: Neodymium N50
  • Diaphragm type: Ultra-Thin Uniforce™
  • Transducer size: 90 mm
  • Maximum SPL: >130dB
  • Frequency response: 5Hz - 50kHz
  • THD: <0.1% @ 100 dB SPL, 1kHz
  • Sensitivity: 100 dB/1mW (at Drum Reference Point)
  • Impedance: 18 ohms
  • Max power handling: 5W RMS
  • Min recommended power: >100mW
  • Recommended power level: >250mW
  • Weight: 495g


Measurements


What does this mean?

The black line is something that could be called the „ideal“ curve of what a headphone should sound like. The Harman Research Group has a range of scientific studies around audio and the human perception of it - one of which was, how should a headphone sound like to be favored by a majority of people, no matter the age or other demographic variables? This result is called the Harman target.

From left to right we have the sub bass, bass, mids and then the curve finally tilts upward where the treble begins - this part of the frequency spectrum gets amplified naturally by the shape of the human ear. 

As we can see, it is not elevated in the bass region - just neutral. This extends to the mids and lower treble, until, in the upper treble, it is slightly recessed. This tuning doesn't emphasize anything, it tries to be true to the source - and without causing listening fatigue over long periods. 

This is really a professional tool, or a headphone for the discerning listener who wants his music presented in a way that represents the producers ideal.

More about Harman Research:

The Perception and Measurement of Headphone Sound Quality - What Do Listeners Prefer?

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